«Radioactive Miami Bass experiments» — so presented the album in the announcement of the label Left Hand Path (California). Woven from acid and dub techno, electro and IDM-sound, material from C.L.A.W.S. Brian Hock recalls the soundtrack to thrash horror films. It’s no wonder that this person has an unfamiliar background for the techno producer: he started as a drummer in a gothic band, but he also played in a synth / post-punk band, after which he focused on electronics and a DJ career.
The musician’s interest in noir formed the basis of this paranoid plate. Brian just tried to project the worst dream to its sound.